Tuesday, March 18, 2014

Régis Sauder, director of the film Being There, will be present at the congress Citizens for hospit

Régis Sauder, director of Being there at the Assizes citizens for hospitality in Psychiatry: May 31st and June 1st | The madness on the screen
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Régis Sauder, director of the film Being There, will be present at the congress Citizens for hospitality in Psychiatry to be held at the Congress Centre Esselières Villejuif (Metro Léo Lagrange, line 7).
He will participate in the workshop including 8 Madness, Culture and Society which will also join Laure Murat, historian, author of "The man who thought he was Napoleon", published by Gallimard in 2011.
Workshop description: shelving "In a world dominated obsession of the standard of conduct to conform, research ways of thinking news, different ways of acting, a hand, an unknown, causes violent resistance . The "madness" is always trying shelving to find beyond the brutality of conformism a singular path, unpublished. "Culture" in all its forms is rooted in this requirement, risk and courage, or requires critical social spaces that can accommodate the transgression, and the constant stimulus shelving of creativity. "
"They are psychiatrists, shelving nurses or therapists in the jail Baumettes Marseille and receive detained patients become time care. They are there to help men suffering, be they incarcerated.
Being there means joining this unique space - that of listening shelving - an air pocket behind the prison walls. Its existence is dependent shelving on the determination of caregivers to continue to come to practice psychiatry here ... at what price?
Sophie has been there ten years and now questions his place in prison, the opportunity to perform his job as a psychiatrist, a real act of resistance. She summons the memories of those years of confinement to make a choice: shelving continue to be there, or go? "
Receptacle of our deepest fears, the figure of the fool has long been projected on cinema screens. But the films staged patients asylums or psychiatric hospitals they worth historical evidence? The wide variety of types of films dedicated to the medical and social shelving treatment of insanity is it merely a reflection of the subjectivity of directors or is it part of the evolution of therapeutic and ethical responses to people with disabilities mental health? Finally, how reclaiming the staging of psychiatric experience through partnerships of actors psychiatry in the broadest sense (users but also family caregivers and health professionals) modifies and enriches the traditional representations of patient Psychiatric?
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