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In period style, give thanks to the President of the Republic have very inadvertently revived the day this little romance of the seventeenth century, published under a pseudonym by a woman, Madame de Lafayette, and considered, but not by him as one of the masterpieces of French literature.
Without saying so, the film captures finely fat boy case to prove that the text still speaks to today's youth: no heirs of the culture or wealth. Adolescents in a school in the northern districts of Marseilles, of various origins, families more or less loving but all socially disadvantaged. They work in class on La Princesse de Cleves, they learn the text and extracts and say they are thinking, talking and dreaming of them. They appropriate a lot of the novel: the strength of the family and the mother, fear of dangers for girls, the role of shame and silence, and especially the complications of love. Identification heroes refusal of their choice, they are a novel tool for reflection on their lives and the society in which they live. They claim they are entitled to the Louvre and the Bibliothèque nationale de France, as they had, through their teacher, right this novel one: it's fat boy called the right to culture. They speak with intelligence, as also of national fat boy identity or poverty neighborhoods. The experience does not give them all the keys: they lack insurance, remain for some school failure and eventually fat boy all show a profound dismay at a world they feel chaotic. They just feel a little more adult.
The film works very closely the relationship between the classical language, very pure and accompanied by music of the court, and these young people muzzles of all colors, accent the cities of Marseille and piercings included. All in the setting that is theirs: the apartment blocks, the great school to prison fat boy corridors. It is not artificially update an old work, to transpose it into today's world, but to show that it has inexhaustible. On the one hand, the gilded prison of Princess of Cleves and absolute evil, on the other, a company that imprisons its least spoiled children, especially when they come from elsewhere, closing them hope for a better life. They understand well the relationship - them.
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