Documentaries, sometimes aired on TV. We princesses of Cleves was originally intended for televisio

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Documentaries, sometimes aired on TV. We princesses of Cleves was originally intended for television, co-production with France Ô. Was able to hit theaters thanks to the interest What brought Thomas Ordonneau Shellac. It is also the meeting that led to the realization of the Being project toddler beds there. Thomas Ordonneau has produced and will distribute it. This is a continuity in the work, a strong partnership with a producer who believes in a cinema. Similarly, ACID, who had supported us, princesses of Cleves, also supported Being there. During toddler beds the distribution of We, princesses of Cleves, I talked to Thomas Ordonneau this project that was close to my heart and I started to work. For four years, I hosted film workshops for psychosis in a psychiatric ward in Marseille. I met caregivers and the particular idea that they care, that it can not be considered without the social bond and without the subject's place in the heart of the therapeutic project. That is to say, not treat the symptom but take into account toddler beds the human. This family toddler beds caregivers met at the hospital is close to that directs toddler beds Catherine Paulet toddler beds Baumettes Prison where I turned Being there. When I heard of his vision care, to quote Marie-José Mondzain who was speaking yesterday at the workshop "Building a political view", it was for me a "political emotion" hear this word gave me want to make a movie, toddler beds go out to meet these caregivers to observe this act of resistance is practical for them. This project interested Ordonneau Thomas and he accompanied me in the writing of the film.
For two years I went every week to Baumettes monitor the work of caregivers. It was complicated because in the eyes of the prison administration I was not filmmaker. The manager was not opposed to my film project but he wanted us to think about together. He wanted me to come see them, I take the temperature of the prison, those who work there to see if they could accept me. After that, they give me, or not leave to my film. So for two years I did not know if he would do if I was going to earn my place in the prison. In the end, Catherine told me OK, that my presence was obvious to them. In dialogue with caregivers, I also built a collective idea of the film. "Being there" is my presence is that of the caregivers, the patient is a shared presence. The film is also a desire to work together. During the observation period, I wrote a diary of trails. It has fueled a first writing that allowed me to obtain aid, the Fund for Aid to innovation CNC purse Draft a dream, help writing the Region. I was also fed by the Journal of Nursing Sophie, the main character toddler beds of the film we follow and who returns to his ten years of practice to Baumettes. From the moment the healthcare team accepted my presence, I worked on writing for the advance on receipts. This version is very close to the movie that I did. This is a film written. After obtaining advances on receipts, everything went very quickly.
No. For administration I was not a filmmaker, and it is very complicated to obtain filming permits when you are not allowed by the prison administration. If it has come to accept the project, she gave me to turn stress into more than fifteen days. It was difficult because it was not obvious to