Pornographic film where every last detail with sadistic lust is smoked in the movie iemūžināmās bod

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Pornographic film where every last detail with sadistic lust is smoked in the movie iemūžināmās bodily heroines - and beyond - the existence, brutally penetrating her existence within console table a film camera - either tak pure "rape" with technical help! Villainy and journalist ethics (documentary film maker but is often perceived as žurnaļugas only rakstīkļa computer or place them in the hands of someone not being documented penis) which egocentriķis filmer grossly inadequate mental manipulates people, considered by some as a "folk healer" Inta others - nojūgušos for coarse old woman, who in Russian cussing like an old soldier - sluts, bļeģjas and other pidori of Kemeru Intas pouring as of plenitude. Worse - his director Beat Em on the muzzle, strong binding curse and declare that it will die within a year.
Perhaps it is callous portrayal of the socially determined person - a lonely old woman living in the swamp Kemeru aside his decidedly plight (of many citizens normālpārtikušo ivory tower positions gazing) life - in which he also really does not become clear "product" - the movie - efficiency or "mesidžu : an exquisite documentary provocation with humanitarian goal - to reach people closer look at the fellow human beings around us? Or maybe ask more radical - or so the Cultural Foundation and the National Film Centre, supported by two authors I. Swedish and I. Maple cinematographic works documentarist is not another "unpatriotic film", which is too dikti denigrate Latvian sunny image and as "a true document" it does melnošanu even more powerful a powerful feature films Kolka Cool People and there, taken together? Here I have drawn a deep breath and say - stop. Find yourself, muldoņa and think about it a bit - which is the dokfilmā manipulated? And in general - as the documentary really is the main hero? Inta and Ivars, yes, but it is yet a third. Third! And it was not "mysterious" bog pools which Rāvas venomous vapor would nozombējuši everyone who casually marsh near - or else eksbaņķiera ex-wife Tatjana Kargins Inta called for "strong personality" and apparently succumbed to the hands of the healer-water-word manipulation? All this and much more - yes, Intas weak apslēpjamo deep loneliness, and the impractical "nesievišķīgo social life, her illness, man-with-the-talk and lack even aktieriski (?) Brilliant "speaking voices" (sometimes appearing in the film truly fantasmagoriskas episodes - when you see with your own eyes how Intas flesh ieperinās someone else, such as the Soviet prison blessed rupeklis school went to his mother-pitched male called bad names for "lesbian slut") - recorded chamber of the eye. The camera is the third living person who participates in the making of the film more peremptory than any director. console table
Of course, always remains the question - what "we" with his filmed material (information) do? When publishing? My deepest belief - at least for a film documentarist - is overwhelming "yes". In the end result is the result console table of shattering to the uncomfortable work of art is not just about what human nature. About the nature of writing a work of art. And it once and for all (maybe because so demonstratively, shamelessly considered?) Shows that no "documentary film" is not. That continually manipulation console table of images, console table heroes, people, authors - and this seemingly clear "roles" are changing every moment. Paprovējiet understand who the manipulated - the moviemakers your kinopētījuma "animal" or maybe vice versa're making - "the heroine of the film" Inta with "poor" become documentary? Who's who dictates the rules and installed? The man in front of the camera or the man behind it? The more so that Ivars Zviedris, director, who, it kinoaprindās Melo, literally like a magnet attracts all sorts of "their strange characters" and they also bear a large share of human concern and responsibility (including Inta he had purchased several console table years, leading products, plow snow , obtain firewood, clean surroundings ...), your camera uses only (?) as a static lock-in unit, go to the same frame, next to Inta.
The camera console table itself decides that it jāfilmē - if the two "actors" to go beyond that