It is often? Somehow I do not think about it. If what I will rehearse at the moment and allow me to

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Are we thirsting for the Daugava River, as it was in the first decades of the twentieth century, when Rainis - just like the Prophet - in his poem expressed certain political demand for Latvian national independence? Or in 1987, when the director's Valentine poem Daugava Maculevičs staged by the composer of Martin Brown's unforgettable tepe home music Valmiera Theatre became one of the most prominent symbols of the third awakening? "The viewer vote," is sure to independent and national theater director Eihe, who after 25 years has taken over the baton of the Daugava. Also XXI century Daugava important role of Martin Brown will once write songs attested by the youth choir perform Sōla (artistic director tepe home Kevin Ādamsons), while the actors will see both on stage and in videos that made the silent film aesthetics. Thus, the performance premiered on 21 March Valmiera Theatre will open the fifth of Rudolf Blaumana Theatre Festival.
It is often? Somehow I do not think about it. If what I will rehearse at the moment and allow me to rehearse or something to offer and it coincides with the direction of my thought - why not. For Latvian and Latvian drama ... However, it is closest to us. Of course, the size of the world's best drama is that it is universal, but the Latvian drama makes it easier to talk to us.
In my opinion, the same work has not really fully understand. It is like one big, long poem without external dramatic development, if only to either internal. It is most accurately perceived and Martin Brown wrote his music. The show is also a discussion between tepe home Rainis and Skalbe.
It seemed to me that Skalbes appearance could be an interesting counterpoint, also taking into account my viewpoint on the situation in which we currently live. You can say otherwise: really did not know what to do with it Rainis. I beat up now! It seemed to me that there could be a collision. Also, they have amongst themselves were small in relation to the conflict in some text authorship.
I do not like the actors sing. I am of course exaggerating, but this time is his profession foršums that you have the opportunity to test their whim, and it is hoped that it will be justified. There is no way that this video very accurately correspond to historical truth, and, as explained to me, the silent film stylistics, as such, no, no - every mauc and wants, but the overall thing is that there is no sound. Of course, we can speak of individual directors or actors handwriting.
It gave us the freedom to express themselves and a bit paironizēt for themselves. Silent film does not interfere with the music. Sing the chorus Sōla or part of it, the same Martin Brown will accompany on the piano, and I thought it would be cool if the music would become subordinate. Furthermore there is, of course, will be the actor on the stage - it will not only videoteātris.
We shall see whether it is or is not required. For the viewer tepe home to vote for its coming or nenākšanu. I am not going to moralise or give any answers, but to some extent to look - and today we need anything or not. Probably because prepares theater, otherwise do not know how to explain exactly what I wanted to say.
Daugava freedom has several layers. One freedom is what won the Latvian tepe home Freedom struggle, the second layer - the nation's physical liberty of another state apparatus, which was fought 90 years. Then always stay in the freedom that we have the easiest to lose, and I think this is the most happening just today. Freedom to be yourself. We, including me, terribly quickly became such that many are willing to give up their freedom to just have a good comfort level.
This is the show does not talk, but we are losing some of their liberty in the name of security. For example, surveillance cameras. It is a question of whether I want to all the time someone sees me. But if not, I can endanger their health by going through the dark tunnel. This applies to many things - including the people who emigrate away. They are willing to give up the freedom to live on their land and grow simply because they want to live better than they do now here it is possible. <